I have a MXL R144 ($100) that I don’t think sounds particularly fantastic, but would have liked to see it go head to head against some of these. This means thicker ribbons exhibit a less precise transient response. Guitar-oriented gear is hardly rare, and the sE Electronics X1R works well for recording guitar amps on the road. Buying a decent ribbon mic used to be a very expensive endeavor, but in the age of bedroom recording, the number of cheap options available to you is growing every day. ♦ Equivalent noise: 22 dB SPL (A-weighted) Onyx WordPress Theme by EckoThemes. Published with WordPress. Don’t forget to keep in mind the following before pulling the trigger on a purchase: That’s it! No items to compare. A longer ribbon also allows for a further displacement from the equilibrium position, and therefor makes longer ribbons capable of handling higher sound pressure levels (SPL). One of the most important considerations lies in the circuitry of your ribbon mic. This isn’t always practical, but thanks to the internet, you can get pretty good idea by listening to recordings and comparisons done by others. ♦ Requires 48V phantom power We read some good things about this one, and it definitely deserves a spot among the best cheap ribbon mics. You can use spray adhesive to glue them to a cardboard panel, and then mount the entire thing to your walls with nails. Cascade also offers upgraded versions of the Fat Head which contain better transformers. anybody tried this yet or want to? ♦ Impedance: 200 Ω The relatively low sensitivity means that for the best results, you'll need a decent‑quality mic preamp. It may not be cheap to some, but it is one of the best ribbon mics for the price. Being a straightforward ribbon mic, the polar pattern is fixed at figure‑of‑eight, and because ribbon mics aren't particularly sensitive (in this case ‑56dB, where 0dB=1V/Pa), unless the sound source is reasonably loud, this mic is best used with a good-quality mic preamp that's capable of low‑noise operation. The R144’s aluminum ribbon element is just 1.8 microns thick and 47mm long. Download the manual here for more data. Customer Service 800.221.5743 or 212.239.7765. (0 dB = 1V/Pa) Few people buy ribbon mics for their sonic accuracy, but rather because of their subjective tonality — and in particular their warmth and ability to smooth out high‑end detail in sound sources that might normally seem strident when miked with capacitor microphones. A ribbon microphone uses an extremely thin electric conductor (the ribbon), placed between the two poles of a magnet. The thin 2-micron thick ribbon in the RSM-5 allows for a very good transient response at this price point. ♦ Frequency response: 20 to 16,000 Hz Ribbons tuned to lower resonant frequencies are excellent at capturing low-frequency sources like bass strings, kick drums, or bass guitar. It looks very similar to any side-address condenser mic you’d find out there, but don’t let that fool you. So there's a new ribbon mic out from MXL, the R40 It looks the same as the R144, slightly different shade of paint. The R144 is a budget ribbon microphone. MXL R40 Vs R144. The low-profile design can help when miking guitar amps and cabinets, brass, strings, piano, percussion, vocals, and orchestral ambiance. sE Electronics calls this mic a “hybrid” that bridges the gap between the old, hand-made sound of ribbons years ago and the ruggedness and durability that modern technology allows for today. Dual ribbons also increase the notoriously-low output of the ribbon mic, so you can take it easy on your preamp gain. ♦ Recommended load impedance: 3,000 Ω Comparison of MXL R150 vs MXL R144 Microphones. The front, or in‑phase, side of the microphone is indicated by the MXL logo and the numeral 8 and, as with all figure‑of‑eight mics, there's almost total rejection of sounds coming from 90 degrees off‑axis (in other words, the sides of the mic). Street price is < $90 these days. Next on our list comes from the budget, entry-level microphone brand, MXL. With a bit of presence boost and low cut, you're ready for raunchy rock or gritty metal, and though the high end had a distinctly different colour to that of the Coles (which is nominally flat up to 17kHz), I rather liked it from a musical viewpoint. ♦ Frequency response: Click here for testing report The views expressed are those of the contributors and not necessarily those of the publishers. ♦ Sensitivity: -55dB (0dB = 1V/Pa) Product prices and availability are accurate as of the date/time indicated and are subject to change. If you’re in a hurry, check out our top picks. One thing that sets the 210B apart is it’s insanely-high max SPL figure of 165 dB SPL. Behind the mesh windscreen, things are very different. ♦ Signal-to-noise ratio: 70 dB Not recommended, but you can buy some hand grenades here. ♦ Polar pattern: Figure 8. The MXL ribbon is all over the place for about a C-note. It has an internal shock mount for added durability and also comes with a mic clip and leatherette carrying pouch. MXL mics are produced by the same company that markets Mogami cables, so it's no surprise that they recommend using the mic with a good quality XLR cable — and ideally one of theirs! ♦ Impedance: < 200 Ω You can find them on the SOS web site at /sos/may11/articles/mxlr144media.htm. ♦ Equivalent noise: <20 dB Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. It's wise to use a pop shield with most ribbon mics, even when recording sources other than vocals, and precautions should be taken to avoid letting dust or, worse, iron filings, into the basket. Win! It looks very similar to any side-address condenser mic you’d find out there, but don’t let that fool you. This ribbon microphone is ideal for both individuals and … The ST170 sounds great on vocals, guitar, and anything with complexity in the middle of the frequency spectrum. These kits are pretty expensive.